![]() ![]() When animated films began to include synchronized sound, the studios hired these same musicians to record their talents inside the studio. Prior to “talking pictures,” pit drummer had been employed by movie theaters to accompany films with auxiliary percussion sound effects. The second approach involved creating complex sound effect machines that could replicate the sounds of the outside world within the studio walls. These were largely played with percussion instruments such as timpani, cymbals, or wood blocks. In one approach, sound effects were simulated by a musician during a music recording session. Thus, two different approaches to sound effects were quickly developed. ![]() Unable to record sound effects in the real world, the studios were forced to invent new approaches to creating sound for their animated content. In the 1920’s and 1930’s, recording equipment was extremely large and heavy, rendering it impossible to take outside of the studio. Two Takes on Sound Effects: The Warner Bros. It was so widely viewed that the term “mickey mousing” quickly came to be synonymous with closely choreographed on-screen action and sound. ![]() That same year, Walt Disney Studios produced Steamboat Willie which introduced the world to animation with a synchronized soundtrack. In 1928, The Jazz Singer, was the first “talking picture.” Animation studios were quick to embrace the possibilities that synchronized sound on picture held. ![]()
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